Dune audiobook

In my head, the purpose of this review is very clear. It is to convince YOU to read this book. Yes, you! Waste time no more. Go grab a copy.Machiavellian intrigue, mythology, religion, politics, imperialism, environmentalism, the nature of power. All this set in a mind-boggling, frighteningly original world which Herbert ominously terms as an "effort at prediction". Dune had me hooked!First impressionThe very first stirring I felt upon opening the yellowed pages of Dune was that of stumbling upon an English translation of an ancient Arabic manuscript of undeniable power and potence which had an epic story to narrate. The tone was umistakably sombre and I realized Herbert was not here to merely entertain me, he was here to make me part of the legend of Muad'Dib. It was intriguing and challenging and heck, since I live for challenges I decided to take this one up too, gladly. The challenge was the complexity and depth of the plot, which left me perplexed, in the beginning. I knew there were dialogues which meant much more than their superficial meaning and was unable to grasp at it. I felt a yawning chasm between Herbert's vision and my limited understanding of it. However, of course, I plodded on and could feel the gap closing in with every page much to my joy and relief. The Foreword"To the people whose labours go beyond ideas into the realm of 'real materials'- to the dry-land ecologists, wherever they may be, in whatever time they work, this effort at prediction is dedicated in humility and admiration." The foreword makes it pretty clear that Frank Herbert isn't kidding around. This is a serious effort at predicting how our world is going to look two thousand years from now and by God, it's a bloody good and detailed prediction. However, the real merit in this effort lies in the commentary on our lives in the present.Why Frank Herbert is a geniusThe setting of the book is arid futuristic. the plot is driven by political mind games reminiscent of The Game of Thrones. The issues he tackles are as modern as the colour television. Herbert's genius manifests itself in his ability to combine the past, the present and the future in one sweeping elegant move called Dune.Plot and SettingDune is set in a futuristic technologically advanced world which after the Butlerian Jihad (the bloody war between Man and Machines) has eliminated all computers and passed a decree declaring "Thou shalt not make a machine in the likeness of a man's mind". Since there are no computers, the essential working of the galaxy is still medieval and feudal with heavy reliance on men and their dallying around. Lots of thriller potential right there. Men with superhuman analytical abilities called Mentats have taken the place of Computers. On the other hand, we have the Bene Gesserit, an ancient school of mental and physical training for female students (it gives them superhuman intuitive powers) who follow a selective breeding program which makes them feared and mistrusted through the Imperium. Their desired end product of this breeding program is the Kwisatz Haderach, a superman who’ll be able to glimpse into the future. How he’ll be able to do this is rooted in Herbert’s idea of determinism: given that one can observe everything and analyze everything, one can effectively glimpse the future in probabilistic terms. Quantum physics anyone? The Kwisatz Haderach is the proposed solution to the male-female dichotomy, between the analytical and intuitive.The plot of Dune is almost wholly set on the desert planet of Arrakis (also referred to as Dune), an arid wasteland where water is so scarce that men have to wear stillsuits which recycle human moisture for further consumption. The source of the galaxy’s interest in the planet is Melange, a spice which bestows upon one longevity and prescient powers. Everything on the planet is permeated with the spice, the air, the sand, the food. Everybody on the planet is hopelessly addicted to the spice, their only hope for survival being their continued intake of the spice. The Spacing Guild, the economic and trading monopolistic arm of the Galaxy badly needs the spice for interstellar transport. This is because their frigates travel faster than the speed of light and hence travel backward in time. The spice is the only way they can look into the future and see their way ahead. How cool is that! All the powers on the Galaxy are out to mine the spice, braving the sandworms, their name merely an euphemism, for they are gigantic 200 metre long creatures which always come digging through the sand whenever spice mining is undertook. Always. There’s also another little glitch. There exist on the planet, the kickass native desert tribal Fremen, whom the foreign powers look down with suspicion and disdain. The Fremen ethos is one of survival and scarcity, driven by tribalism and egalitarianism. Okay, I’ll stop right there. No more spoilers about this. Except that they value water to the extent that spitting on a person is the highest honour they can bestow upon him.Our protagonists are the Atreides family, consisting of the Duke, his Bene Gesserit concubine Jessica and their son Paul, who have been entrusted the stewardship of Arrakis. We discover the alien planet of Arrakis along with them, firstly with fear, suspicion and wonder and ultimately, love and respect. Paul Muad’Dib, however is no ordinary prince. There’s a teeny weeny chance he might be the Kwisatz Haderach, something which troubles him constantly and gives us our conflicted hero. The poor chap trips balls over the spice and has visions of black hordes pillaging and murdering around town bearing his flag and sees his dead body multiple times.My favourite character, however has to be the Baron Vladmir Harkonnen, the most evil character I’ve ever come across in my literary excursions. He is ruddy ruthlessness, he is virile villainy, he is truculent treachery. He executes the inept chess players in his employ which says oodles about his badassery and his fondness for cold-blooded logic. He sees everything in simplistic chess terms. What is my best move? What is my opponent’s best move? Is there anything I can do to completely squash his move? Is there a tactic which leads to mate in three? ThemesIn this setting, Herbert does so much, it’s unbelievable. Religion, politics, the dynamic nature of power, the effects of colonialism, our blatant destruction of our environment are themes which run parallel to the intensely exciting and labyrinthine plot. He shows the paramount importance of myth making and religion for power to sustain over long periods of time. Man, as a political animal is laid completely bare.Real lifeNow these are my thoughts about what Herbert could have meant to be Arrakis- It makes perfect sense. Herbert draws heavy inspiration for the religious ideology of Muad’Dib from Islam. He says “When religion and politics ride in the same cart and that cart is driven by a living Holy man, nothing can stand in the path of such a people.” which is the philosphy of the politics of Islam. Islamism in a nutshell. The spice, much desired by everyone, is the oil. Baron Vladmir Harkonnen is symblomatic of the wily Russians. The Desert foxes Fremen are representative of the native Saudi desert-dwelling Bedouin tribe who have a strongly tribe-oriented culture and undoubtedly value water in equal measure. And the ultimate loser is the environment.Why do good books get over?I almost forget this is a science fiction novel, it’s that real. It is also scary and prophetic. It is a reading experience that will leave you dreaming of the grave emptiness of Arrakis and make you wish you were there to brave it all in the privileged company of the noble Fremen. Frank Herbert achieves the pinnacle of what a sci-fi author aspires to rise to; authentic world building.

There's a characteristically witty essay by Borges about a man who rewrites Don Quixote, many centuries after Cervantes. He publishes a novel with the same title, containing the same words in the same order. But, as Borges shows you, the different cultural context means it's a completely new book! What was once trite and commonplace is now daring and new, and vice versa. It just happens to look like Cervantes's masterpiece.Similarly, imagine the man who was brave or stupid enough to rewrite Dune in the early 21st century. Like many people who grew up in the 60s and 70s, I read the book in my early teens. What an amazing story! Those kick-ass Fremen! All those cool, weird-sounding names and expressions they use! (They even have a useful glossary in the back). The disgusting, corrupt, slimy Harkonnens - don't you just love to hate them! When former-aristo-turned-desert-guerilla-fighter Paul Muad'Dib rides in on a sandworm at the end to fight the evil Baron and his vicious, cruel nephew, of course you're cheering for him. Who the hell wouldn't be?So that was the Dune we know and love, but the man who rewrote it now would get a rather different reception. Oh my God! These Fremen, who obviously speak Arabic, live on a desert planet which supplies the Universe with melange, a commodity essential to the Galactic economy, and in particular to transport. Not a very subtle way to say "oil"! They are tough, uncompromising fighters, who are quite happy to use suicide bombing as a tactic. They're led by a charismatic former rich kid (OK, we get who you mean), who inspires them to rise up against the corrupt, degenerate... um, does he mean Westerners? Or only the US? And who is Baron Harkonnen intended to be? I'm racking my brains... Dubya doesn't quite seem to fit, but surely he means someone? Unless, of course, he's just a generic stereotype who stands for the immoral, sexually obsessed West. This is frightening. What did we do to make Frank al-Herbert hate us so much? You'd have people, not even necessarily right-wingers, appearing on TV to say that the book was dangerous, and should be banned: at the very least, it incites racial hatred, and openly encourages terrorism. But translations would sell brilliantly in Pakistan and Saudi Arabia, and a bad movie version would soon be made in Turkey.I honestly don't think Herbert meant any of that; but today, it's almost impossible not to wonder. If anyone reading this review is planning to rewrite The Tale of Benjamin Bunny, you'd better make sure you get your timing right. Who knows how it will be interpreted five years from now?

just when you thought 2021 couldn't get any weirder.

If you are having a hard time reading Dune:https://youtu.be/UMTRoZNN4E0My YouTube Review (admittedly totally Fangirling):https://youtu.be/JilubCWr9KkThis was one of the best books that I have ever read which I was not expecting at all. First, the book is incredibly put together and really well thought out. Often, the author wrote the book in such a way as you can hear the character's thoughts which was a really interesting perspective and provided a more immersive experience.The book touches on so many different deep topics and is so inspiring, moving. The book was also so unpredictable and unique. Highly recommend.2023 Reading ScheduleJan Alice in WonderlandFeb Notes from a Small IslandMar Cloud AtlasApr On the RoadMay The Color PurpleJun Bleak HouseJul Bridget Jones’s DiaryAug Anna KareninaSep The Secret HistoryOct Brave New WorldNov A Confederacy of DuncesDec The Count of Monte CristoConnect With Me!Blog Twitter BookTube Facebook Insta

Update 9/15/21Re-read. Number 14. I cannot get over how beautiful this book is. Still my favorite after all these years. It only gets better with every re-read.Update 8/28/17Re-read. Number 13. :) I cry when Paul meets Gurney. I shiver when Jessica consoles Chani. I'm awestruck by the peaks and troughs of time, free-will, and the weakness in Paul even as he heroically strives against the evil that is about to be unleashed upon the universe. *sigh*Perfection. Easily the number one book I've ever read. :)I waver, sometimes, but right now, it is my absolute favorite. :)Original Review:This is a phenomenal classic of literature.It's not just science fiction. It transcends science fiction, as a fascinating discussion of free-will versus inevitability. Can the Jihad be denied? Can Paul ever really avoid his own death, despite seeing every time-line play out with him as the butt of every cosmic joke? Can even cruelty or mercy even remain comprehensible after such knowledge?Yes, I think this work outdoes Nietzsche. It certainly does a great job of making us care about the question.Is this all? Is this just a work that pays great justice to philosophy of action and inaction? Or is the novel merely a clever play at turning the Heisenberg Uncertainty Principle into the physical embodiment of a man? It is that, of course. The Kwisatz Haderach can be many places at once, and he can be both alive and dead at the same time just like that certain cat.Is the novel a coming of age tale, first set as a mirror against his father Leto, only then to mirror the whole universe that had just turned against him? Yes, of course. He was, after all, both the product of all his upbringing and his genes, embodying the question of nature versus nurture. He was taught within many schools of martial arts and assassins, as well as training the mind in both the schools of the Mentats with their pure logic and that of the mystics, the Bene Gesserit, that allows complete control over the body down to the cellular level. And if this training wasn't enough, he was deeply schooled in politics, leadership, and the meaning of loyalty. The boy was raised right. Of course, that is nothing without ninety generations of genetic bloodline tampering from the Bene Gesserit, right? To become the fulcrum between cellular memory, tapping the minds and lives of all your genetic ancestors as well as tapping the ability to fold time and space, to become the eye of a storm of time.What a damn brilliant setup for one tiny character, no? His training links to the unlocking of his genes and to the life-extending and enveloping spice, Melange, to make him not merely aware of time in a theoretical sense, but eventually to be unable to discern what was in the past, the present, or the future. Here's a true Super-Man, well beyond Nietzsche.And don't believe for one second that this serious discussion about what would make a superior man makes for dull reading. No. We've got PLOT that's probably some of the most exciting and visceral in all of literature, driving us right into the web of intrigue, vengeance, treachery, and galactic politics. To quote the text, we've got "Plans within Plans," and it hardly stops there. We know the House Atreides is falling into a trap laid by the Emperor and House Harkonnen, and yet free-will and pride prevents any chance to avoid it. The setup is brilliant and extremely political, giving us character sketches of some of the most brilliant and memorable characters of all time.Duke Leto, the Red Duke, the most honorable and beloved leader.Duncan Idaho, the emotional and intuitive hero.Gurney Halleck, archetypal loyalist and troubadour.Lady Jessica, the woman who ought to have had all honor in life, but was unjustly reviled and set aside for political necessity. (Chani being both her mirror and her eventual glory.)And of course, my favorite character of all time, Paul Muad'dib Atreides, the one that would prevent the greater evils he foresaw, and went to enormous lengths and sacrifice to achieve, but who eventually failed in his task because even a god cannot overcome destiny. (Or the will of so many minds set as one.)So damn brilliant.Frank Herbert spent five years writing this treasure, working and reworking it until he published it at age 25. None of his other works come close to this masterpiece, and there's little wonder. It was birthed, fully-formed, like Athena from Zeus's head, with enormous forethought and care. The worldbuilding was just as carefully formed, from the ecology of Arrakis and the life-cycles of the sandworms, to the history and the creation of the Fremen from their mild beginnings as Zensunni Wanderers, adherents to the Orange Catholic Bible, to their history of oppression so like those of those who are Jewish, to their settling and hardening of their bodies and souls in the wastes of Arrakis, also just like the Jewish who carved out a place for themselves in Israel. (Current politics aside, this was a very potent idea before 1965 when Herbert wrote this, and indeed, the core is still just as powerful when you turn it back to Muslims.)The Galactic culture is rich and detailed. The CHOAM economic consortium, with their monopoly on space travel and their need for the Spice to allow them to see a short period into the future to plot a safe course before folding space. The Empire is caught on a knife's edge between a single power and every other House who sit in the possibility of putting aside all their squabbles for the sole purpose of checking the Emperor, if they so desired. (And Duke Atreides was such a possible popular leader among all the Great Houses, which was the primary reason the Emperor wanted him dead.) And of course, we have our Villains. The Baron Harkonnen has always been a crowd pleaser. Brilliant in his own right, devious and able to corrupt anyone with just the right sorts of pressure, including a certain absolutely trustworthy doctor we might mention."The Tooth! The Tooth!" -- You can't handle the Tooth!Feyd Rautha Harkonnen is especially interesting for the question of nature versus nurture.The Bene Gesserit had intended him to mate with Paul, who should have been Leto and Jessica's daughter, and that offspring should have been the cumulation of ninety years of a breeding experiment to recreate the Kwisatz Haderach which had come about almost by accident during the Butlerian Jihad in the deep past, to overthrow the AI overlords.He was practically Paul's genetic twin, or at least, his potential to be the "One who can be many places at once" was on par with Paul. But instead of fulfilling the kind of destiny that we get with Paul, we see him grow up under the auspices of his Uncle the Baron, becoming as cruel and devious as he was deadly. He was the argument of nurture in the conversation, of course, and having so very little of it eventually cost him his life.I often wonder about the directions that Dune could have taken, all those little paths in time and circumstance that could have been. What if Feyd had been brought to Arrakis earlier and overwhelmed with Spice the way that Paul had? Sure, he wouldn't have been able to convert the unconscious changes into conscious manipulation, but he might have had enough glimpses of the future, the way that the Fremen did, to have given him the edge he would have needed to kill Paul.And then there's a relatively minor character, Hasimir Fenring, the Emperor's personal assassin, who was nearly the Kwisatz Haderach, himself. Unable to breed true, he was still potent enough to be completely hidden to Paul's time-sight in the same way that Paul was hidden from the Spacing Guild's weaker time-sight. His training as a skilled killer was also superior to Paul. He was, by all the hints and tricks in the tale, Paul's perfect downfall. It always gives me shivers to think about, and it was only in a single instant of both recognition and pity from Paul that stayed Fenring from killing our hero. It was just a moment of whim.The setup was gorgeous. Paul's pity, had it been missing at his moment of greatest triumph over the Emperor, would have meant Paul's assured death. I still wonder, to this day, what stayed Frank Herbert's hand from killing his most wonderful darling. We knew the pressure of religion and politics was going to have its way upon all the oppressed peoples of Dune. The return of a monstrous religious Jihad was going to happen one way or another, sweeping across the galaxy and toppling the Empire, regardless of Paul's frantic plans and desires. Paul's own death would only mean a higher level of fanaticism, and Frank Herbert's warning against unreasoning devotion would have been made even clearer with Paul's death.Perhaps it was pity that stayed his hand. Who are we to say who lives and who dies?If you really think this review is overlong, then I apologize, but please understand that I could absolutely go on and on much longer than this. It is a symptom of my devotion to this most brilliant of all tales.And yes, it still holds up very, very well after twelve reads. I am quite shocked and amazed.

2021 Reread - 5*I was totally blown away by the recent movie version of this, that much so I decided to revisit and revaluate my opinion of this extraordinary book. So, I read it again six years on and this is something I said I would never do because I found it so difficult to read the first time. It wasn’t the complexity of the world and politics, but the narration style which totally perplexed and frustrated me. Though I think that was more to do with my immaturity as a reader at the time than anything else. This is a difficult one, but it’s worth it. This time I was impressed with everything: the intelligence of the writing, the details of the world and the intricate nature of the storytelling. There’s just so much brilliance here. And it’s entertaining. It’s interesting. The balance is perfect. The Freman culture is driven by ideas of ecology, efficiency and waste reduction. And whilst they are not without their faults, the sense of oneness and appreciation they have for their home planet is a strikingly important commodity. I found them fascinating to read about and of the many thing this novel has going for it, they are the jewel in Herbert’s crown. I want to see more of this world. Original Review (2015) - 3.5* I could never give Dune five stars because I really struggled to get into the novel in the beginning. It has taken me almost two months to read. This, for me, is a very long time to spend on a book. It took me so long to read because I found the writing style incredibly frustrating. I had to read whole chapters again so I could get the gist of the plot. This was more so in the beginning, which I found particularly hard to read because of the author’s way of shifting between the thoughts of multiple characters. I found this very annoying; however, I persevered over my initial despondency towards the writing, and plodded on through the book. I’m glad I did so because in the end I did come to really enjoy it. Indeed, the story is fantastic, but the writing will always remain unbearable for me. A truly brilliant plot Dune is to science fiction what The Lord of the Rings is to high fantasy; it is the novel that officially, and unarguably, defines the genre. The story begins with the house of Atreides accepting the Dukedom of the planet Dune. The former Baron has been ousted by the Emperor, and is no longer of consequence. Well, that is how it initially appears. Very early on it revealed that the whole thing is a political ploy to bring the house of Atreides to its knees. The Baron lies in wait, and is ready to strike against the new, and benevolent, approach the Duke uses on the Fremen. The Fremen are the natives of the dessert planet; thus, they know how to survive its harshness above all others. They do this through their frugal approach to water. They value it above all else, and will never waste a drop in earnest. The Baron Harkonnen, as a chide against the natives, squanders water in the cruellest ways. He, and his dinner guests, throw cups of water on the floor of the dinner hall; it was his tradition. The wasted water was soaked up with towels, which the Baron allowed the Fremen to suck the water out of. When the Duke enters he rejects this custom, and is more respectful to the Fremen way of life. He and his son and heir Paul, who is the protagonist of this novel, go as far as to try the Fremen’s grossly effective water saving suits. These Stillsuits, quite literally, recycle all the water the body wastes and feeds it back to its wearer. The Fremen way is the right wayThis early familiarity, with the Fremen technology, no doubt helps to keep Paul’s mind open when he is later forced to live amongst the Fremen. Paul is somewhat of a marvel; he is prophecy’s chosen one. When he eventually gains the trust of the Fremen they allow him to choose a Fermen name. He calls himself after their most revered prophet: Muad'Dib. They accept this and follow him as their leader. His inherited title of Duke dictates that he is their lord, but their religion determines their real loyalty. He has to, quite literally, fight for every ounce of their trust. Indeed, it does not come cheap, and will only be given to one who is a member of their people. “Without change something sleeps inside us, and seldom awakens. The sleeper must awaken.”Thus, Paul becomes their saviour. Consequently, he receives heaps of character development through this book. He goes form boy to the revered leader of a nation. The Fremen, like Paul, want the evil Baron Harkonnen gone from their planet. They do no want a cruel oppressor who is ignorant to their ways: they want Paul. I think the imagination behind the Fremen culture really is wonderful. They have efficiently adapted to survive their harsh planet. To emphasise this point you need only look at the fact that off-world humans live in fear of the giant Sandworms that infect the planet whereas the Fremen ride them as a coming of age ritual. Indeed, Paul has to ride a worm if the Fremen are to follow him. Deep characters The result of this is a very complex, and intriguing plot. I found the first third of this book to be very perplexing initially. This is a world we are told about rather than shown at the start. We hear about the Fremen but do not truly understand them till the very end. I was very overwhelmed at the beginning, and in all honesty I do think this novel merits a re-read to further establish my understanding of it. This did affect my rating because it inhibited by enjoyment of the book. “Deep in the human unconscious is a pervasive need for a logical universe that makes sense. But the real universe is always one step beyond logic.”Indeed, aside from Paul there is a whole host of dynamic, and well rounded, characters. His mother is to be the new revered mother of the Fremen people, which for someone of her age is quite remarkable. There is also the captain of Duke Leto’s household guard who is a very deep and honourable individual. As much as I came to like these characters I was still frustrated with the writing of them in the beginning. I found it difficult to read scenes in which up to four characters internal thoughts are portrayed alongside their dialogue. It wasn’t always clear who was thinking. I much prefer a narrative that is focalised through one person. Well, at least one person per chapter. Overall, I thought the idea behind this novel was utterly fantastic. However, my personal reaction to the writing style limited my overall enjoyment of the book. I do intend to read some of the sequels. However, I do not have any intention of doing so in the near future. Maybe, in a couple of years I will return to the brilliant, and annoyingly written, world of Dune.__________________________________You can connect with me on social media via My Linktree.__________________________________

Ok, my only reference for Dune was the 1984 movie with Kyle MacLachlan. And, honestly, it was the main reason I've always wanted to read this book.Ohmygod look what that fake-looking piece of plastic shit is doing to poor MacLachlan's nose? How was he even able to act with that thing pushing his nostrils to the side of his face? I can't stop looking at it!Anyway.I remember loving that movie when I was young. Ahhhh. I honestly didn't remember much about it other than it was sorta weird, there were giant worms, a bunch of people had glowing blue eyes, and Sting was in it.After listening to this audiobook, I decided to rewatch the movie and relive the good times. Wow. Just wow. What in the holy hell did I just watch? Because whatever it was, it certainly didn't have much to do with the actual book. There were some fucking weird changes that they made to the movie that really didn't do anything for the plot. Like that gross dude with the shit in his face that flew around in that goofy air suit?In the book, he's just a fat dude!And that thing they do where they all have drain plugs attached to their hearts?Not in the book, either!In fact, none of that fucknut crazy/gross sci-fi shit is in the book.Blowing shit up with their voice guns? Nope.Bald Bene Gesserits? Nope.Bugs with butthole mouths? Nope.Mentat's with clip-on eyebrows who drink juice that gives them herpes lips? Nope.Captain Jean-Luc Picard going into battle with a pug? Fuck no!The list goes on and on...Not that it should matter. But it does! Because I was expecting something realllyreallyreally different, and if you go into this (like me) you may end up...well, not disappointed but maybe shocked? Having said that, I think the book was definitely better. There was no reason for ass-mouth monsters or oily rock stars in weird rubber underwear. It just makes a lot more sense the way Herbert wrote it. It's a magic is science tale set in space with an incredibly interesting look at how politics and religion can hold hands with each other and make war babies. I can see why people rave about it. It's honestly an incredibly insightful novel.You know, if you're into that sort of thing... A little dense, but worth it. But dense. That's worth saying twice because this thing is massive and you may get lost in it if giant word monsters aren't your jam when it comes to reading. I listened to the Audible version which is 21 HOURS (and 2 minutes!) long and might be the way to go for anyone looking for the easy way out.And I am ALWAYS looking for the easy way out.

Seems as if they might be duned to be addicted to spice, all good old barbarians on magic mushrooms style.Quite dusty, especially regarding how to put the different parts of this behemoth series in the big picture of sci-fi because each part (of the 3 I´ve read so far and very probably won´t restart trying to read the 4th and 5th part) presents something different. Essentially, only this, the first one, is a real science fantasy epos, while the others are mostly circulating around the characters' special skills and family problems without much meta, plot, or different settings.Just this first milestone is big in the epic worldbuilding department and some other things I´ll try to point my primate fingers at. As unrealistic as water scarcity in such a highly developed galactic civilization seems, it´s a perfect explanation for creating the blue eyed mind mutants and the misandrist female breeding gang, that don´t ever need to kick male butts, because they preemptively avoid that situation to become real.Real life implications and innuendos.I don´t know if Herbert had any kind of real civilizations, cultures, or traditions in mind when he constructed the tribes, today it would probably fall under any kind of politically correct bigoted do gooder codex, but there could lie a ton of creative writing gold in exploring this question of how to implement any past or present movement, society, tradition, faith into different sci-fi subgenres. Because how the traditions, monsters, and badass special moves of the inhabitants influence the planetary and intergalactic trade and travel balance is slowly presented to the reader, while the impact of the wonderful spice expands its glow towards total domination.Don´t take drugs except they make you superhumanAs so often, a prescription free pharmaceutical wonder cure can solve all of your problems until corporate interests come and ruin everything by using anything in their armory to get control over the precious resource of psychohistoric psi precognition power. The idea of one substance changing the whole balance of power of the galaxy is big in many sci-fi series and especially terrifying for each arrogant, high tech civilization, because an animal creating impervious shields, an immortality tonic, a mind altering super drug, etc., could enable far weaker, steampunky tribes to destroy them. Classic barbarian hordes on magic mushrooms looting Rome style.Bene GesseritWho says that centuries long, epigenetic, elitist breeding programs have to be completely evil all the time? Except for the poor lovers aroused by the wrong, not arranged partner, stupid Romeo and Juliet syndrome complexes, you have to see the bigger picture and control your hormones and feelings and sacrifice some biochemical illusions to create the ÜberPsi mentat mentalist mind penetrator. However, it works with less evil too. Together with the spice, this elite mental mind control academy with the aim to finally create the ultimate space JC messiah figure to defecate rainbows, freaking galactic peace, pink unicorns, and gold, is the backbone of the whole trilogy, because impacts of both and the excessive use of it as MacGuffins and Chekhovs plot devices lead to the question:Is this still really sci-fi or not more a high fantasy thing with some sci-fi elements?Well, highly subjectively, yes, Dune is mostly psi fantasy dressed in futuristic clothes with some faith, tech, technobabble (rare), and trade in between, which makes it one of the most outstanding and unusual sci-fi works, I mean fantasy camouflaged as sci-fi. Tricky, one is so indoctrinated to call this thing sci-fi that it took me a reread and absorbing many reviews to realize what´s really going on. I´m really not sure about this whole thing, I´ve read a ton of sci-fi and my alien mind parasite, in a kind of perverted symbiosis with the xenovirus making me look fresher I deliberately bought for this purpose like a tapeworm therapy to lose weight (you don´t want to know what this costs on the alien bioweapons black market, the second half of my immortal soul exactly), tells me that there still would a lot of story without the sci-fi elements, while close to nothing would be there after removing fantasy, faith, drugs, and mind penetrating abilities, so, yea. I mean, even the planet itself doesn´t really has sci-fi fractions or something, the space around it is kind of empty without many sci-fi parties, cyborgs, aliens, everything substantial seen in close to any big sci-fi series. This leads me to An unpopular and possibly controversial opinionIt could be that Herbert is, and I am just talking about the sci-fi aspect, a bit overrated or, let´s precisely define it, overhyped as a sci-fi author because he is more of a fantasy writer. This couldn´t happen in a fantasy world, because parts of the legions of readers of the genre don´t want aliens and Clarketech mixed in their magic, not to speak of the suspension of disbelief problem that often comes with sudden future tech elements in fantasy, that´s just disgusting. The other way round, as with Dune, is much easier, just put some sci-fi around fantasy and everything just rolls perfectly. Is terraforming destroying cultural heritage or making inhabitable worlds paradises?The ethical implications of this question are another sci-fi old school vehicle, especially if the terrible acid rain, high gravity, parasite infested, or dirty desert land is the only region where the special, red plotline device can grow and thrive. One could go so far as to ask if there are real life examples on earth, conservation vs corporate environmentalism, greenwashing and stuff (spoiler warning: conservation lost, earth is dying), and how this should be dealt with in decades, centuries, or millennia when we (I hope you are immortal too thanks to alien symbiont virus cooperation like me, if you aren´t, poor you, may I infect you? Just 20.000 of whatever your fringe financial system uses as fiat money that will be worthless as soon as natural apocalypse, mutually assured destruction, or alien invasion make it obsolete, and you get the parcel. Shipping not included.) start manipulating weather, geophysics and- chemistry, and climate of other worlds to make it sexy, tropical, tourist friendly paradises at the low cost of exterminating all alien life, but this would be a bit far fetched. Herberts´place in the sci-fi or sci-fa hall of fame.That´s tricky, especially because he just couldn´t keep delivering after the third part. I´ve played around with the fourth and fifth part, but had to abandon it because it escalated to too much unmotivated, philosophical drivel without a real plotline and a place in the big picture of the series, Herbert just didn´t manage to hold it all together. What made the first three parts, that they are kind of eccentric, ingenious standalones without the classic space opera series uniting plotline and style, great, kind of destroyed the rest of the series. Because he had no more vision for the meta, high sci fa elements, Herbert lost control over his own creation and just manufactured hearthless shells to sell more books.But that doesn´t mean that the first three parts aren´t milestones of the interdisciplinary genre, exploring it in new ways no one imagined before while reaching Lem-, Clarke-, and Asimov levels of subtle, intelligent dialogues, innuendos, connotations, and character driven development. It´s something unique, special, and definitively not for anyone because of its high entry barriers that may annoy some readers, but don´t let yourself be easily deterred by that, it´s totally worth it once you´re in and high as heck and addicted forever to the wonderful, delicious spice melange. Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique: https://tvtropes.org/pmwiki/pmwiki.ph...

Dune is often considered a masterpiece of 20th-century American science fiction. In part, the book owes its reputation to the film adaptation David Lynch directed in the early 1980s (although this movie was, and still is, not considered one of his best). Frank Herbert wrote a novel of epic proportions, in other words, a space opera, with its intergalactic feudal society, its decadent (if not evil) empire and its band of rebels: the book was published some ten years before the first instalment of the Star Wars series. Indeed, along with Asimov’s (overrated) Foundation stories, it was George Lucas’ primary source of inspiration.One of the most exciting aspects of Herbert’s creation is the multi-cultural world he depicts. Each house (Atreides, Harkonnen, etc.), each planet (Arrakis, Giedi Prime, Caladan...), each group (the Fremen, the Bene Gesserit, the Guild, the Emperor’s suite and the Sardaukars) has its specific flavour, its own culture, its language — the comprehensive index at the end of the book is utterly fascinating. For each of these cultures, Herbert borrowed traits from traditions (ancient or contemporary) he knew well in reality, especially from the Middle East. In particular, Paul Atreides / Muad’Dib’s story among the Fremen is redolent of the historical events around T.E. Lawrence and the Arab revolt against the Ottoman Empire. And Paul’s crusade on Arrakis is told, as though it were ancient history, in the chronicles by the Princess Irulan at the start of each chapter.Herbert describes his fictional world and characters in great detail, which contributes to the richness of his narrative, but I found these descriptions somewhat boring and, especially, the middle of the book is a bit dragging for that reason. In my view, the most impressive parts of this novel are the dialogues, where Herbert simultaneously reveals what the characters are saying and thinking. This technique lends a sense of duplicity and scheming to almost every interaction. Everyone is plotting one way or another so that the whole thing ends up being like a great Shakespearean play, with dialogues and asides, tyrants and pretenders. What confirms this impression is not only the theme of the exiled Duke (see As You Like It, King Lear, or The Tempest), but also the repeated scenes of fencing duels throughout, with feints and poisoned tips: a clear allusion to the endings of Hamlet and Macbeth, for instance.Edit: A word about Denis Villeneuve’s new film adaptation of Herbert’s novel (part 1, 2021). Comparisons are odious and obviously wouldn’t be to David Lynch’s advantage. This is a Dune version for a new generation of fans and an epic movie on par with Peter Jackson’s Lord of the Rings trilogy, in the early 2000s. The settings (filmed in Scandinavia and the Middle East) are breathtaking, and the actors have so much going for them. But what strikes me the most in this new version is the sense that everything is overwhelming and sublime: the massive architecture, the crushing machines, the extreme weather conditions, the earth-shattering landscapes, the thunderous music, the tragic events, the repulsive foes. From the relenting waves of Caladan to the searing and unending skies of Arrakis, everything assumes an oceanic and staggering dimension.

Why You Should Read Dune (video): https://youtu.be/oOomSvGXfaMAsking me to describe why Dune is so important to me is like asking a child to explain nuclear fusion. I do my best in the video linked above, but just know it probably isn't for the reasons you think.My journey to Dune becoming my absolute favorite book of all time goes all the way back to the mid-1990's upon finding it in my high school library and deciding to give it a try because I remembered my dad and brother watching the movie when I was a kid. At 15 years old, I got to the middle of "book II" and gave it a big fat DNF. I decided it just wasn't for me. At 17, for the 30th anniversary, I decided to try again and while I finished it that time, I thought the ideas were overly pretentious and way too out there. But a year went by and somehow, it was still in my head. I thought about it frequently and I began to ponder...did I actually really like it?I tried again the final weeks of my senior year of high school and became absolutely obsessed and it has stayed that way for almost the last 25 years.Dune is social science-fiction in that it's more concerned with the people and society than it is with hard science. Besides telling you that these navigators "fold space" for interstellar travel, Herbert doesn't bog you down with the math. He focuses more on the politics, cultures, religion, and philosophies of a world rich in the most valuable resource in the known universe, but barren in everything else.If you go into the story expecting a Star Wars style adventure, you're going to leave disappointed. Dune is extremely thought provoking and deals with the struggles of coming of age while the fate of the universe is on your shoulders. I'll also say that the book is certainly not for everyone. If you love things like ASOIAF and The Wheel of Time, there is no way this book won't be for you as both of those series borrowed heavily from the story Frank crafted. But I think it truly depends on where you are at in your life. Look, I just told you the story of how it took until my third reading for this to really click with me. Those who the story and lessons click with, it REALLY clicks with. But, again, this isn't a crowd pleaser and not everyone is going to love it, especially modern readers. So while I encourage those that are interested to read it, I expect more modern readers to not like it than like it.Not only is this the greatest science-fiction story of all time, but I believe it should be on mandatory reading lists in schools and everyone interested in the genre owe it to themselves to read the pillar of the genre they have come to love. Dune is every bit to science-fiction what Lord of the Rings is to fantasy.

‘Deep in the human unconscious is a pervasive need for a logical universe that makes sense. But the real universe is always one step beyond logic.’The sheer scope and magnitude of this 1965 sci-fi drama is staggering, populated with an extensive cast of characters and a rich universe full of well-rounded lore, intricate politics where every actions is revealed as ‘plans within plans within plans,’ and dynamic cultures all set on a collision course of plot that rightfully earned it a wide readership and canonization as a “Classic” work. I found it lived up to the hype and opened itself up more upon a reread, validating the fond memories I had of it from reading it first as a young teenager smitten with anything sci-fi. This book has zero chill and everything is to extreme and epic levels, including the size of worms. But come for the Bene Gesserits, best part. While there isn’t much to say that likely hasn’t already been said better, I still want to pause and reflect on some key elements in Dune. This is such a well-crafted book that addresses themes of power, religion, historical records as mythmaking and environmental concerns in a narrative about proxy wars and power struggles that speak just as loudly today as it did about 1960s foreign policy. If you are looking for a book of epic proportions, you can’t go wrong with Dune.The best part about this book, to me, is the way it is constantly expanding. There is great world-building and a rich lore that recalls my glee first exploring The Lord of the Rings, but what really excites me is the way Herbert reveals it all. The book starts so small—a visit to a cottage from an old woman that seems like such a small scale fairy tale on page one—and swiftly becomes gargantuan and never stops growing. It leaves you constantly feeling yourself shrink beside a universe always revealing itself as more complex than you had realized. I enjoy the way Herbert only gives you the minimum of what you need to understand and lets it all slowly unfold when necessary.‘They've a legend here, a prophecy, that a leader will come to them, child of a Bene Gesserit, to lead them to true freedom. It follows the familiar messiah pattern.’For newcomers, the basis of the book is that Paul has been quite literally bred to be a messiah and is engulfed in a difficult power struggle over a planet that essentially upholds the interplanetary economy through mining an addictive substance called “spice”. You might quickly find yourself thinking of spice as oil and the planet Arrakis as Middle East and Northern Africa (Tor put out a really great essay on the way Herbert engages with Muslim culture and traditions), you know, since there was a whole Cold War going on at the time and giving the villain Baron Harkonnen a first name like Vladimir might make you wonder if this is all an elaborate metaphor. The Baron saying ‘in politics, the tripod is the most unstable of all structures,’ might make you think of the three branches of US government. You get the idea. There are also WWII holdovers present, such as the Sardaukar as an elite fighting force trained on Salusa Secundus to make sure you catch the S.S. reference. That’s all very much there, but this book is so much more than a simple sci fi rendition of the Cold War and Herbert definitely wants you to apply these themes to our larger political and religious global interactions. ‘Fear is the mind-killer.’Another aspect I find fascinating in Dune is the depiction of Paul Atreides in the ‘chosen one’ trope. Paul has reservations, though not due to thinking he doesn’t deserve it (dude is royalty anyways, essentially) but because he fears what it will bring. Paul’s powers are enhanced through spice and he is able to perceive the future, and in almost every possible scenario he sees nothing but mass war in his name:’They were all caught up in the need of their race to renew its scattered inheritance, to cross and mingle and infuse their bloodlines in a great new pooling of genes. And the race knew only one sure way for this—the ancient way, the tried and certain way that rolled over everything in its path: jihad.’The notion of precognition brings free will into question, particularly when a certain individual appears in visions of the future but dies before it happens. It becomes a universe where individual free wills are all acting upon one another in an attempt to control the narrative of time.’And what [Paul] saw was a time nexus within this cave, a boiling of possibilities focused here, wherein the most minute action—a wink of an eye, a careless word, a misplaced grain of sand—moved a gigantic lever across the known universe. He saw violence with the outcome subject to so many variables that his slightest movement created vast shiftings in the pattern.’History is written by the winners, or so the saying goes, and much of this novel focuses on the way the narrative of time is constructed through the mythologizing of people and events. ‘History will call us wives,’ Jessica says to Chani, assuring her that her role as the lover to Paul will not be usurped by the princess he marries for the throne. Much of the book shows the dynamics between Paul as the Man and Paul as the myth, with characters like Stilgar recognizing that by being in service to the myth they too will be immortalized in the stories. Narratives become a form or power, and, as I’ll discuss soon, can be a form of control.Perhaps it is because power and control are so central to this novel that it feels so very timeless and just as applicable to 2021 as it did to 1965. In regards to power, leadership also becomes another key theme. ‘Power and fear,’ House Atreides Duke Leto says, ‘The tools of statecraft, ’ a sentiment later echoed with all the same key terms by Baron Harkonnen. The two leaders are set up at the start as foils to each other, each trying to have their grip on Arrakis (there are some strong colonialism themes in this book and it delves into how troubling it is and how even those we might view as the savior turn out to be just another oppressor and colonizer) but their leaderships are defined by Leto’s rule through caring for his people while Harkonnen sees everyone as a useful pawn.’A leader, you see, is one of the things that distinguishes a mob from a people. He maintains the level of individuals. Too few individuals, and a people reverts to a mob.’Having recently finished The Dispossessed, I could have preferred some more voices in this book looking for better forms of ruling that don’t involve exploitation, but that’s not what this book is about so I’ll move on. What this book really focuses on is the ways power can be maintained, which crops up most in this novel through use of religion. ‘But it's well known that repression makes a religion flourish,’ we read, and the harsh life on Arrakis makes it the perfect setting where indoctrination of religion for the purpose of power can shape a community and unite them. Religion is a form of storytelling, having the people all believe in one shared story with all its myths and promises. ‘You deliberately cultivated this air, this bravura,’ Jessica instructs Paul, ‘you never cease indoctrinating.’ The stronger the shared faith, the more easily a leader can make them do what they need. It also helps that everyone is high as shit all the time. ‘Religion and law among our masses must be one and the same,’ Kynes's father says:‘An act of disobedience must be a sin and require religious penalties. This will have the dual benefit of bringing both greater obedience and greater bravery. We must depend not so much on the bravery of individuals, you see, as upon the bravery of a whole population.’Religion is being used constantly to shape the people for the purpose of their leaders, even in what seems an admirable purpose of turning desert Arrakis into a green paradise (and without a religious idea of paradise, how can a people who only know dry dirt and hardship even imagine a paradise?).‘The real wealth of a planet is in its landscape, how we take part in that basic source of civilization—agriculture.’This latter bit is also extremely key to Dune. The planet itself is practically a character in the novel, much in the ways the landscape is like a character in Westerns. The landscape of Arrakis truly shapes the people there, and we see a contrast between Arrakis and Caladan and how water as a precious resource on Arrakis changes many customs. Such as how spitting at a person is a sign of respect on Arrakis. Changing the environment on Arrakis is an interesting concept because, in order to make it thrive, what would the cost be? Would it disrupt spice, thereby collapsing the galaxy’s economy? Can these people ever be free, because doing so would require the complete dismantling of the governmental systems currently ruling?There is also something to be said about the harshness of an environment being an ideal place for strenght in unity around a cause to crop up. Le Guin explores this in The Dispossessed as well, with the anarchist planet having a similar dry desert vibe as Arrakis and scarcity being a major player in what keeps the people bonded and working together. The Fremen are tough because of their environment, similiarly the Sardaukar are trained in extremely harsh environments as well. Dune plays a lot with ideas on how fascism and strongmen can quickly rise to power in times of economic instability—or the threat of it—and here the difficult planets tend to produce the most deadly fighters. Mix religion in and you have an instant army if you can convince everyone you are the chosen one. There is so much more to discuss in this book, particularly the Bene Gesserits and the Guild who are pulling a lot of strings, or just how friggen awesome the worms are. This is a big book with a lot of big ideas, and also a lot of ambiguity to them that I really appreciate. It is certainly a precursor for a lot of popular epics to follow. George Lucas certainly took notes and I imagine George R.R. Martin read this and said “wait, you can just kill beloved characters that easily!?” before rewriting Duke Leto as Ned Stark. While I can concede to those who find it boring and dry, I rather enjoyed all the history and lore and found this to be incredibly fun. 4.5/5

I have to write this review without rhythm so that it won’t attract a worm.In the distant future Arrakis is a hellhole desert planet where anyone who doesn’t die of thirst will probably be eaten by one of the giant sandworms. It’s also the only place where the precious spice melange can be found so it’s incredibly valuable, and the honorable Duke Leto Atreides has been ordered by the Padishah Emperor to take over control of Arrakis from his mortal enemies, the House Harkonnen. While this seems like a great offer on the surface the Duke and his people realize that it’s actually a cunning trap being set by the Emperor and Baron Harkonnen. The only hope seems to be allying with the local populace called Fremen whose harsh environment has led them to become an incredibly tough and disciplined people, but they have their own vision of what Arrakis should be. They also have a prophecy about the coming of a messiah figure who will lead them to freedom, and the Duke’s son Paul looks like he may be exactly who they’ve been waiting for.This is classic sci-fi that really deserves the label. What Frank Herbert accomplished in one novel is stunning because he built a fascinatingly detailed universe in which the politics, religion, economics, espionage, and military strategy are all equally important. He then blended these more grounded concepts with bigger sci-fi ideas like being able to use spice to see through space-time, and the scope of that encompasses trying to pick the proper path through various potential timelines as well as free will vs. fate. I think one of the factors that helps this story stay timeless is that so much of it is based on what humanity becomes vs. trying to predict what futuristic technology would be like. This is a society that once had a war with machines and has since rejected any type of computers so people have developed to fill the gap with the help of the spice. The Mentats are trained to use data to predict outcomes. The Navigators of the Guild have used so much of the spice to help them move through space that they’re mutating. The all female Bene Gesserit have developed a variety of skills to place their members alongside positions of power to help advance their breeding scheme that spans generations. Herbert also cleverly came up with an excuse that explains why knives and hand-to-hand combat are so important with the idea of the personal body shields. So even though we still got a good sci-fi’s novel worth of cool gadgets the emphasis is on what the people can do and how that’s developed over a long period of time. It also adds a lot of depth to the political dimensions because all of these groups have different agendas that cause them all to mistrust each other, but because they all fill these various roles none can exist without the others.There are also parallels to our world that are still in play because the idea of a desert people caught up in the power struggles of various outsiders because of their valuable natural resource is an obvious allegory to the Middle East that still works today. Plus, the classic film Lawrence of Arabia came out a few years before Herbert published this, and you have to think that it had some influence on him because there are elements of the story that seem very much inspired by it.While the whole concept of a Chosen One has gotten a bit worn over time that’s not Herbert’s fault, and this is still a fantastic sci-fi story with big ideas that also works as space opera as well as being an epic adventure story.

Dune (Dune Chronicles #1), Frank HerbertDune is a 1965 science fiction novel by American author Frank Herbert. In the far future, humanity has eschewed advanced computers due to a religious prohibition, in favor of adapting their minds to be capable of extremely complex tasks. Much of this is enabled by the spice melange, which is found only on Arrakis, a desert planet with giant sand-worms as its most notable native life-form.Melange improves general health, extends life and can bestow limited prescience, and its rarity makes it a form of currency in the interstellar empire. Melange allows the Spacing Guild's Navigators to safely route faster-than-light travel between planets, and helps the Reverend Mothers of the matriarchal Bene Gesserit to access their Other Memory, the ego and experiences of their female ancestors.تاریخ نخستین خوانش: روز بیست و چهارم ماه نوامبر سال 2018میلادیعنوان: تلماسه؛ نویسنده: فرانک هربرت؛ مترجم: مهیار فروتن فر؛ تهران، کتابسرای تندیس؛ 1397؛ در 847ص؛ فروست شاهکارهای علمی تخیلی؛ شابک 9786001822834؛ موضوع داستانهای نویسندگان ایالات متحده مریکا - سده 20مداستان «تل‌ماسه» در آینده‌ ای دور می‌گذرد، و در جامعه‌ ای ملوک الطوایفی، کتاب با الهام از جوامع «اعراب» بدوی، نگاشته شده‌ است؛ سه عامل اثرگذار در جامعه ای فراسیاره‌ ای: پادشاه امپراتور و خاندان‌های حکومتی، اتحادیه ی فضایی (صاحب انحصار حمل و نقل فضایی)، و گروه «بنی جزریت»، هستند؛ در جهانی سوار بر همان سه‌ پایه‌ ی: «سلطه‌ جویی»، «سیاست‌بازی» و «سوداگری»، و گردنده بر چرخِ آدم‌کشانِ رایانه‌ سان، ساحرانِ نژادپرور، و ناوبرانِ زمان‌ نورد، «پُل»، دوک‌ زاده‌ ی جوان خاندان «آتریدیز» است، که خود را گرفتار در طوفانی عالم‌ آشوب می‌یابد؛ نزاعی کیهانی بر سر کیمیای زمانه است، در آوردگاهی یگانه، سرچشمه‌ ی کیمیا در سرتاسر کائنات: «تلماسه» است، کره‌ ای از شن سوزان، که دغدغه‌ ی بومیانش نه «ملغما (کیمیای زمانه)»، که بقاست؛نقل از متن (کتاب اول: تلماسه: سرآغاز هر کار زمان حصول اطمینان از درستی میزانها و معیارهاست؛ حتی مبتدی ترین شاگردان مکتب «بنه جسریت» هم این نکته را میدانند؛ پس فراموش نکنید که در شروع مطالعه ی زندگانی مودِّب او را در زمان حیاتش که از پنجاه و هفتمین سال سلطنت امپراتورْ پاشا شدامِ چهارم آغاز شد و در محل زندگی اش یعنی سیاره ی آراکیس در نظر آورید؛ اجازه ندهید این حقیقت که زادگاه او کالادان بوده و پانزده سال آغازین عمرش را در آنجا گذرانده گمراهتان کند؛ آراکیس، سیاره ای که آن را به نام تلماسه میشناسند، جایگاه او بوده و تا ابد خواهد بود؛ ـ برگرفته از کتاب راهنمای مودِب، نوشته ی شاهدخت «آیرولان») یک هفته پیش از مهاجرت خاندان «آتریدیز» به «آراکیس»، در میان دوندگیهای لحظه ی آخر که دیگر داشت به جنونی افسار گسیخته و تحمل ناپذیر بدل میشد، عجوزه ای به دیدار مادرِ پُل آمد کاخ «کالادان» شب نسبتاً گرمی را میگذراند و مانند تمام اوقات پیش از بارندگی، روی تخته سنگهای برهم چیده ی کهنسالی که برای بیست و شش نسل از خاندان «آتریدیز» حکم خانه را داشتند، نم سردی نشسته بود عجوزه از درِ جانبی وارد عمارت شد، و با عبور از راهرویی طاقدار به اتاق پل رسید؛ در آنجا لحظه ای درنگ کرد، و به داخل سرک کشید تا نگاهی به «پل» بیندازد که در تختخوابش آرمیده بود پسرک که حالا بیدار شده بود، در کورسوی چراغ معلقی که نزدیک به زمین شناور بود، پیکر تنومند زنی را میدید که در درگاه اتاقش، یک قدم جلوتر از مادرش ایستاده بود؛ چهره ی سایه وش پیرزن به جادوگران میمانست: موهای درهم تنیده اش به تارعنکبوت ماننده بود، و چشمانش، در تاریکی باشلقی که بر سر کشیده بود، به دو تکه جواهر براق پیرزن گفت: «سنش کمتر از چیزی که هست به نظر میآید، نه جسیکا؟» صدایش تودماغی بود و مانند بالیستِ کوک نشده وزوز میکرد؛ مادرِ «پل» با صدایی ملایم و بم پاسخ داد: «در خاندان آتریدیز رشد دیررس معمول است، حضرت والا.»؛ پیرزن وزوزکنان گفت: «بله شنیده ام، شنیده ام. با این حال...؛ جداً پانزده سالش شده؟»؛ «بله، حضرت والا.»؛ پیرزن گفت: «بیدار است؛ دارد به حرفهایمان گوش میدهد»؛ نیشخندی زد و ادامه داد: «شیطانک مکار! البته بد نیست...؛ کمی مکر و حیله برای اشرافزادگان واجب است...؛ و اگر او واقعاً کویساتز هدراخ باشد...؛ خوب...»؛ پل چشمانش را در پناه سایه های تختخواب به اندازه ی دو شیار باریک باز کرد و به نظرش آمد که چشمان بیضی شکل براق و پرنده سانِ پیرزن نیز در پاسخْ بازتر و درخشانتر شد)؛ پایان نقلتاریخ بهنگام رسانی 23/09/1399هجری خورشیدی؛ 11/06/1400هجری خورشیدی؛ ا. شربیانی