29 Best Literary Criticism Books

Based on a series of lectures by Leonard Peikoff and edited by Marlene Trollope, Discovering Great Plays provides the ability to understand, judge, and savor the values offered by great drama. Listeners will discover plot-theme as the key to a play; see Antigone as a great heroine and Iago as the darkest villain in literature; learn about the Cornelian hero; see how Schiller’s “Grand Inquisitor” scene is the most dramatic and philosophic in all of theater; and discover Shaw’s brilliance in presenting the genius against society.

Plays discussed include: Antigone by Sophocles; Othello by Shakespeare; Le Cid by Corneille; Don Carlos by Schiller; An Enemy of the People by Ibsen; Saint Joan by Shaw; Monna Vanna by Maeterlinck, and Cyrano de Bergerac by Rostand.

Paradiso is the third and final part of The Divine Comedy, Dante’s epic poem describing man’s progress from hell to salvation. In it, the author progresses through nine concentric spheres of heaven. Corresponding with medieval astronomy, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn deal with the four cardinal virtues Prudence, Fortitude, Justice and Temperance. The remaining two spheres are the fixed stars and the Primum Mobile, containing the purely virtuous and the angels, followed by the Empyrean, or God itself, continuing the 9+1 theme that runs throughout the Divine Comedy. The Paradiso is more theological in nature than the Inferno and the Purgatorio, features encounters with several great saints, and finishes with the author’s soul becoming aligned with God’s love.

Harry Potter lives in a world that is both magical and historical. Hogwarts pupils ride an old-fashioned steam train to school, notes are taken on parchment with quill pens, and Muggle legends come to life in the form of werewolves, witches, and magical spells. This book is the first to explore the real history in which Harry’s world is rooted. Did you know that bezoars and mandrakes were fashionable luxury items for centuries? Find out how Europeans first developed the potions, spells, and charms taught at Hogwarts, from Avada Kedavra to love charms. Learn how the European prosecution of witches led to the Statute of Secrecy, meet the real Nicholas Flamel, see how the Malfoys stack up against Muggle English aristocrats, and compare the history of the wizarding world to real-life history.

“BEST NONFICTION BOOK OF THE 20TH CENTURY.” —Time

“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” –David Remnick, The New Yorker

The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.

Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200 fellow prisoners, and on Soviet archives, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression, the state within the state that once ruled all-powerfully with its creation by Lenin in 1918. Through truly Shakespearean portraits of its victims-this man, that woman, that child-we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations, the “welcome” that awaited Russian soldiers who had been German prisoners of war. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. And Solzhenitsyn’s genius has transmuted this grisly indictment into a literary miracle.

“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” –George F. Kennan

“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” –Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women’s shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin’s finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

English Literature in the Sixteenth Century is an invigorating overview of English literature from the Norman Conquest through the mid-seventeenth century from one of the greatest public intellectuals of the modern age. In this wise, distinctive collection, C. S. Lewis expounds on the profound impact prose and poetry had on both British intellectual life and his own critical thinking and writing, demonstrated in his deep reflections and essays.

This incisive work is essential for any serious literature scholar, intellectual Anglophile, or C. S. Lewis fan.

Supplemental enhancement PDF accompanies the audiobook.

BUILDING BRIDGES
Stephen King Live at the National Book Awards
Each Autumn, in conjunction with the conferring of The National Book Awards in Fiction, Nonfiction, Poetry, and Young People’s Literature, the Board of Directors of the Foundation presents a Medal for Distinguished Contribution to American Letters. The recipient is a person who has enriched our literary heritage over a life of service, or a corpus of work. The 2003 recipient of this distinguished award was presented to one of the great voices of American literature — Stephen King.
King accepts the award with grace and wit. His acceptance speech is filled with loving thanks to his wife Tabitha and with a passionate appreciation of his craft. King reflects on bridging the gap between literary and popular writers as well as staying true to his work and to himself over the many years. He concludes his speech by saluting all the nominees and with his sincerest hope that “you’ll find something to read that will fill you up as this evening has filled me up.”
100% of publisher and author profits from Building Bridges will be donated to the National Book Foundation.

Take a tour through the horror paperback novels of two iconic decades–if you dare! Hear shocking plot summaries that invoke devil worship, satanic children, and haunted real estate.

Horror author and vintagepaperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby.

Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more who have faded into obscurity. Also included are recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.

Alice Walker made history in 1982 when she became the first black woman to win the Pulitzer Prize and the National Book Award, both for The Color Purple. Published in the Reagan Era amid a severe backlash to civil rights, the jazz-age novel tells the story of an African-American woman haunted by domestic and sexual violence.

Prominent academic and activist Salamishah Tillet combines cultural criticism, history, and memoir to explore Walker’s epistolary novel, showing how it has influenced and been informed by the zeitgeist of the time. The Color Purple received both praise and criticism upon publication, and the conversation it sparked around race and gender still continues today. It has been adapted for an Oscar-nominated film and a hit Broadway musical.

Through interviews with Walker, Oprah Winfrey, Quincy Jones, and others, as well as archival research, Tillet studies Walker’s life and the origins of her subjects, including violence, sexuality, gender, and politics. Reading The Color Purple at age fifteen was a groundbreaking experience for Tillet. It continues to resonate with her–as a sexual-violence survivor, as a teacher of the novel, and as an accomplished academic. Provocative and personal, In Search of the Color Purple is a bold work from an important public intellectual.

A brilliant, invigorating account of the great writers on both sides of the Iron Curtain who played the dangerous games of espionage, dissidence and subversion that changed the course of the Cold War.

During the Cold War, literature was both sword and noose. Novels, essays and poems could win the hearts and minds of those caught between the competing creeds of capitalism and communism. They could also lead to exile, imprisonment or execution if they offended those in power. The clandestine intelligence services of the United States, Britain and the Soviet Union had secret agents and vast propaganda networks devoted to literary warfare. But the battles were personal, too: friends turning on each other, lovers cleaved by political fissures, artists undermined by inadvertent complicities.

In Cold Warriors, Harvard University’s Duncan White vividly chronicles how this ferocious intellectual struggle was waged on both sides of the Iron Curtain. The book has at its heart five major writers–George Orwell, Stephen Spender, Mary McCarthy, Graham Greene and Andrei Sinyavsky–but the full cast includes a dazzling array of giants, among them Aleksandr Solzhenitsyn, John le Carre, Richard Wright, Ernest Hemingway, Boris Pasternak, Gioconda Belli, Arthur Koestler, Vaclav Havel, Joan Didion, Isaac Babel, Howard Fast, Lillian Hellman, Mikhail Sholokhov –and scores more.

Spanning decades and continents and spectacularly meshing gripping narrative with perceptive literary detective work, Cold Warriors is a welcome reminder that, at a moment when ignorance is celebrated and reading seen as increasingly irrelevant, writers and books can change the world.

In print for over fifty years, One Man’s Meat continues to delight readers with E. B. White’s witty, succinct observations on daily life at a Maine saltwater farm.

Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man’s Meat can best be described as a primer of a countryman’s lessons and a timeless recounting of experience that will never go out of style.

“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”–Margaret Atwood, author of The Handmaid’s Tale

The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.

The tellers of Greek myths–historically men–have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil–like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war–a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce–getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped.

Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place–and so eager to accept the stories we’ve been told?

Supplemental enhancement PDF accompanies the audiobook.

C. S. Lewis’s illuminating reflections on Milton’s Paradise Lost, the seminal classic that profoundly influenced Christian thought as well as Lewis’s own.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

Lewis explains and defends the literary form known as “Epic,” pondering simple yet perceptive questions such as: What is an Epic? Why, in the seventeenth century, did Milton choose to write his story in this style? In what sense is Paradise Lost similar to the Homeric poems or the Anglo Saxon Beowulf? In what sense did Milton develop Virgil’s legacy?

With the clarity of thought and style that are the hallmarks of his writing, Lewis provides answers with a lucidity and lightness that deepens our understanding of this literary form and both illuminates Milton’s immortal epic and its meaning and inspires readers to revisit it. Ultimately, he reminds us why elements including ritual, splendor, and joy deserve to exist and hold a sacred place in human life.

One of Lewis’s most revered scholarly works, Preface to Paradise Lost is indispensable for literature, philosophy, and religion scholars and for ardent fans of Lewis’s writings.

In The Eating of the Gods the distinguished Polish critic Jan Kott reexamines Greek tragedy from the modern perspective. As in his earlier acclaimed Shakespeare, Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks. The title refers to the Bacchae of Euripides, that tragedy of lust, revenge, murder, and “the joy of eating raw flesh” which Kott finds paradigmatic in its violence and bloodshed. Whether reflecting on Prometheus or drawing a modern parallel in Beckett’s Happy Days (“the final version of the Prometheus myth”), Kott’s vision is brilliant, his method innovative, and his sensibility consistently new. Since this book first appeared, Kott’s connections between ancient and modern have become even more compelling in their immediacy.

Professor Adam Potkay brings his renowned expertise on the Romantic era to bear on the period’s principal poets. Providing detailed analysis of the lives and works of literary luminaries such as Robert Burns, Samuel Taylor Coleridge, William Wordsworth, and John Keats, Professor Potkay examines the nature of Romantic poetry and provides insight on the stylistic flourishes and themes of this remarkable period.

An Economist Best Book of the Year

A Milwaukee Journal Sentinel Best Book of 2018

“Enthralling…A clarion call to enlarge American literary history.” — Washington Post

“Engrossing, well-researched… This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre’s history.” — Wall Street Journal

“A gift to science fiction fans everywhere.” — Sylvia Nasar, New York Times bestselling author of A Beautiful Mind

Astounding is the landmark account of the extraordinary partnership between four controversial writers–John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard–who set off a revolution in science fiction and forever changed our world.

This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author–he wrote the story that was later filmed as The Thing–and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame–and infamy–as the founder of the Church of Scientology.

Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Dona Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.

The World according to Narnia is a lively and engaging exploration of the many Christian themes in C. S. Lewis’ widely-known and universally loved children’s stories. C. S. Lewis wrote The Chronicles of Narnia with a Christian understanding of the world firmly in his mind. Thus, it is no surprise that at every turn, some character or incident reflects parts of the Christian story. From the Creation of Narnia in The Magician’s Nephew, to The Last Battle, which presents the Christian view of heaven, Lewis intended these stories to say something new and imaginative about Christianity.

Jonathan Rogers unfolds the parallels between Lewis’ seven-book series and Christian theology, pointing out similarities between events in Narnia and in Scripture. Whether you’re new to the Chronicles or you’ve just finished The Last Battle, this book will expand your understanding and appreciation for Lewis’ beloved classics.

Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom’s barricades are once again being erected. Once again justice must be redeemed with men’s blood.

Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and
his passionate defense of freedom that in fact launched his public fame.

Now, for the first time in English, Camus at ‘Combat’ presents all of Camus’ World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947.

These 165 articles and editorials show how Camus’ thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions
of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped
the vision of this Nobel Prize-winning novelist and essayist are on abundant display.

More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spanking

When it came to understanding love, a teenage Jillian Keenan had nothing to guide her–until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own.

Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality–from desire and communication to fetish and fantasy. In A Midsummer Night‘s Dream, Keenan unmasks Helena as a sexual masochist–like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love.

As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her –and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.

For the Whitman bicentennial, a delightful keepsake edition of the incomparable wisdom of America’s greatest poet, distilled from his fascinating late-in-life conversations with Horace Traubel

Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman’s friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel’s extensive interviews an extraordinary gathering of Whitman’s observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet’s more personal side–his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America’s greatest poet.

Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He was one of Britain’s most important poets, his work infused with myth; a love of nature, conservation, and ecology; of fishing and beasts in brooding landscapes.

With an equal gift for poetry and prose, and with a soul as capacious as any poet in history, he was also a prolific children’s writer and has been hailed as the greatest English letter-writer since John Keats. His magnetic personality and insatiable appetite for friendship, love, and life also attracted more scandal than any poet since Lord Byron. His lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, is the saddest and most infamous moment in the public history of modern poetry.

Hughes left behind a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems, and memorandum books that make up an almost complete record of Hughes’s inner life, which he preserved for posterity. Renowned scholar Jonathan Bate has spent five years in the Hughes archives, unearthing a wealth of new material. His book offers, for the first time, the full story of Hughes’s life as it was lived, remembered, and reshaped in his art. It is a book that honors, though not uncritically, Hughes’s poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes’s own.

La Reine Margot is a novel of suspense and drama which recreates the violent world of intrigue, murder, and duplicity of the French Renaissance. Dumas fills his canvas with a gallery of unforgettable characters, unremitting action, and the engaging generosity of spirit which has made him one of the world’s greatest and best-loved storytellers.

Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions.

Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.

The revered teacher and bestselling author reflects on the power, importance, and joy of a life dedicated to reading books in this delightful collection drawn from his wide body of writings.

More than fifty years after his death, revered intellectual and teacher C. S. Lewis continues to speak to readers, thanks not only to his intellectual insights on Christianity but also his wondrous creative works and deep reflections on the literature that influenced his life. Beloved for his instructive novels including The Screwtape Letters, The Great Divorce, and The Chronicles of Narnia as well as his philosophical books that explored theology and Christian life, Lewis was a life-long writer and book lover.

Cultivated from his many essays, articles, and letters, as well as his classic works, The Reading Life provides guidance and reflections on the love and enjoyment of books. Engaging and enlightening, this well-rounded collection includes Lewis’ reflections on science fiction, why children’s literature is for readers of all ages, and why we should read two old books for every new one.

A window into the thoughts of one of the greatest public intellectuals of our time, this collection reveals not only why Lewis loved the written word, but what it means to learn through literature from one of our wisest and most enduring teachers.

Bestselling author and renowned professor Mary Karr offers a master class in the essential elements of great memoir–delivered with her signature wit, insight, and candor.

Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.

For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told– and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.

Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms–a tour de force from an accomplished master pulling back the curtain on her craft.

One of the great innovative figures in American letters, Walt Whitman created a daring new kind of poetry that became a major force in world literature. His poems have been woven into the very fabric of the American character and have continued to provide inspiration to people and poets for generations.

Leaves of Grass is Whitman’s masterpiece, written in a pure, uninhibited style and combining sensual and mystical sensibilities. Ralph Waldo Emerson, whose essay “The Poet” inspired the work, praised it, saying”I find it the most extraordinary piece of wit and wisdom America has yet contributed.”Self-published in 1855, it was repeatedly expanded and revised by Whitman throughout the rest of his life. This recording follows the final, most complete edition which appeared in 1892, the year of Whitman’s death.

Among the poems in the collection are “Song of Myself,” “I Sing the Body Electric,” and “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s elegy to the assassinated president Abraham Lincoln.

“Doctors don’t imitate Galen. Why should writers follow Aristotle? Jane Alison in her fresh, original book about narrative is our new Aristotle.” ―Edmund White, author of The Unpunished Vice: A Life of Reading

As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel―one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides…But something that swells and tautens until climax, then collapses? Bit masculo-sexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?”

W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc―or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison.

Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.

Offering a “CliffsNotes guide” to some of the most important literary works of our time, Wiker, author of 10 Books That Screwed Up the World, turns his discerning eye from the great texts that have done damage to Western civilization to the great texts that could help rebuild it. This book features a range of works, from classics such as Democracy in America and The Federalist and Anti-Federalist Papers to more popular classics like Sense and Sensibility and The Tempest. Through these works, Wiker reveals some of the most important lessons for our time, as well as the true meaning of conservatism. Written with an educational purpose and a witty tone, this is a must read for conservatives, republicans, and booklovers everywhere.

Elena Ferrante’s Neapolitan novels achieved stunning global success in part because of the mystery surrounding their pseudonymous author. English-speaking readers were tantalized by her enigmatic biography as well as what they took to be her authentic portrayal of working-class Naples. However, we now know that the person behind the writing is most likely Anita Raja, a prominent translator of German literature whose background is very different from Ferrante’s supposed life.

In Finding Ferrante, Alessia Ricciardi revisits questions about Ferrante’s identity to show how the problem of authorship is deeply intertwined with the novels’ literary ambition and politics. Going beyond the local and national cultures of Naples and Italy, Ricciardi reads Ferrante’s fiction as world literature, foregrounding Raja’s work as a translator. She examines the novels’ engagement with German literature and criticism, particularly Goethe, Walter Benjamin, and Christa Wolf, while also tracing the influence of Italian thinkers such as Antonio Gramsci, Carla Lonzi, and the Milan Women’s Bookstore Collective. Considering central questions of sexuality, work, politics, and place, Ricciardi demonstrates how intertextual resonances reshape our understanding of Lila and Elena, the protagonists of the Neapolitan Quartet, as well as the characters and language of Ferrante’s other books.

This bold reconsideration of one of today’s most acclaimed authors reveals Ferrante’s works as fiercely intellectual, showing their deep concern with feminist and cultural politics and the ethical and political stakes of literature.